17th century Dutch and Flemish painters
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17th century Dutch and Flemish painters a collectors" guide by Alan Jacobs

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Published by McGraw-Hill in London, New York .
Written in English

Subjects:

Places:

  • Netherlands,
  • Flanders

Subjects:

  • Painting, Dutch -- 17th century -- Catalogs.,
  • Painting, Flemish -- 17th century -- Catalogs.,
  • Painters -- Netherlands -- Biography.,
  • Painters -- Flanders -- Biography.

Book details:

Edition Notes

Statementcompiled by Alan Jacobs.
GenreCatalogs.
ContributionsStanley, George.
Classifications
LC ClassificationsND636 .S73 1976
The Physical Object
Pagination297 p. :
Number of Pages297
ID Numbers
Open LibraryOL4893512M
ISBN 100070844771
LC Control Number76026521

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This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science–and art.   This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science—and : Norbert Wolf. This beautifully illustrated, expansive overview of Dutch and Flemish art during the 17th century illuminates the creative achievements of one of the most important eras in western art. The Golden Age in Holland and Flanders roughly spanned the 17th century and was a period of enormous advances in the fields of commerce, science—and : Norbert Wolf. Highlights from one of the world’s most impressive private collections of Dutch Golden Age masterpieces. Over the past 35 years, husband-and-wife collector duo Rose-Marie and Eijk van Otterloo have acquired an unparalleled private collection of 17th-century Dutch and Flemish paintings, representing a selection of work by the Dutch Golden Age’s most important artists.

Seventeenth Century Dutch and Flemish Painters by Jacobs, 17th Century Dutch and Flemish Painters a Collectors' Guide Compiled By Alan Jacobs. book. Dustjacket has some areas of loss, all text is readable. Edges of dustjacket creased and rumpled. This is a heavy book and we will request extra shipping if ordered from outside the UK.   "Masterpieces of Dutch and Flemish Painting" celebrates the commitment of collectors Rose-Marie and Eijk van Otterloo and Susan and Matthew Weatherbie to give their exceptional collections of 17th-century Dutch and Flemish art to the Museum—a donation that will constitute the largest gift of European paintings in MFA history. Later it received a boost during the Flemish Baroque of the 17th century, as a result of the activities and talents of Rubens and Van Dyck, but it never recovered its initial glory and influence. Thus most of the greatest Old Masters associated with Flanders were active during the .   Dutch Golden Age painting is the painting of the Dutch Golden Age, a period in Dutch history roughly spanning the 17th century, during and after the later part of the Eighty Years' War (–) for Dutch independence.. The new Dutch Republic was the most prosperous nation in Europe and led European trade, science, and art. The northern Netherlandish provinces that made up .

Dutch Painting: The Golden Age- An Exhibition of Dutch Pictures of the 17th Century (Under the High Patronage of Her Majesty The Queen of The Netherlands) and a great selection of related books, art and collectibles available now at The collection of Dutch seventeenth-century paintings in the National Gallery of Art includes works by the masters of the Golden Age, including Rembrandt van Rijn, Johannes Vermeer, Frans Hals, and Aelbert Cuyp. Man Writing a Letter () by Gabriel Metsu, painter of high quality intimate interiors. Origins and History of Dutch Realism. The extraordinary flourishing of 17th century Dutch painting occurred as a result of several factors. To begin with, there was the schism in the Church between Catholic Rome and the Protestant religious movement of Northern Europe. After all, he was one of the first Dutch painters to work in genre painting, a field that Netherlandish painters would really make their own over the following two centuries. On top of this, he was a master of copperplate engraving, consider as important an engraver to Holland as Dürer was to Germany.